ROMEO & JULIET (2013) movie review

Romeo-and-Juliet-2013I teach Romeo & Juliet to freshmen. So, how thrilled am I when a film does justice to a story and offers yet another visual option to help students connect with literature, especially their first taste of Shakespeare.

This version is beautiful. Filmed in the actual city of Verona in Italy, you feel transported by the orange-hued sunrises, the castled landscape, and the constant flavors in renaissance artwork layered on each backdrop.
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It’s visually perfect. Certainly Julien Fellowes, Downton Abbey writer, takes his literary liberties as screenwriter, allowing for a medieval tournament and fewer characters. He does, however, speed up the action and include scenes and characters rarely enjoyed in film versions. He is also somehow able to keep it clean (classroom appropriate) without losing the romantic heart of the play. I believe that Shakespeare himself would have approved of Fellowes’s translation.
_MG_6659.CR2Paul Giamatti, never before a favorite of mine, flawlessly endeared the Friar character and stole the show.
supportingcast-romeo-juliet-damian-natashaDamian Lewis (brilliant as Winters in Band of Brothers and currently starring  in tv’s Homeland) played Lord Capulet perfectly. His performance was unexpected and fresh. Hailee Steinfeld, the True Grit lovely, sweetened Juliet with youth and believability. The statuesque and stunning Douglas Booth played well the lovestruck son and heir Romeo.Romeo-and-Juliet

Any attempt at Romeo & Juliet begs a comparison.

Romeo-JulietThere is  no better teaching tool to offer freshmen boys than replacing swords with guns, an orchard below the balcony with a swimming pool, and awkward tights with khakis and Hawaiian shirts.  Baz Luhrmann‘s 1996 version with gorgeously brooding Fortune’s fool Leo and a pre-pubescent Claire Danes helps students relate and hear actual Shakespeare with modern connections. We scaffold to what we know, and suddenly learning is not a chore.Romeo-and-Juliet1

Most stage versions cast the couple too old, so it’s a hard sell in a classroom. Zeffirelli’s classic 1968 version, though prominent in schools and sporting a boastable Zac Efron look-alike as Romeo, is now nearly unrelatable to students who mock the forced lines, abundance of cleavage, and laughable characterizations.Fate-Shakespeare-Romeo-Juliet

The flaw in Fellowe’s version is that students will forget to treat it as an adaptation and No Fear Shakespeare will reign over actual script. Well, we shall all take a tip from Juliet in this and, “Look to like, if looking liking move, but no more deep endart my eye than your content gives strength to make it fly.”8643814882_c1e93bea0a_o

PRISONERS (2013) movie review

Jake-Gyllenhaal-and-Hugh-Jackman-in-Prisoners-2013-Movie-Image…or rather 1/2 of Prisoners.

A cold, dank landscape mirrors an even colder script as hopelessness banks the curbs of this one-way highway of a film. I had to pull over and get off.

If my metaphor is lost on you, then you feel a bit like I did 20 min. into this film when long pan shots lingered over sticks from the woods and panels on an old RV. These are not clues. They are B-role. prisoners-2013-ts-xvid-uniquescreen_0

The film opens to the Lord’s prayer as Hugh Jackman teaches his son how to hunt for an odd venison Thanksgiving dinner. Jake Gyllenhaal eats his holiday meal alone avoiding the flirty waitress who must have been drawn to the cross tattoo on his hand. The priest is classically portrayed as the drunkard. Purposeful signs of a director’s devotion to faith perhaps, but more likely part of the frigid bitterness plaguing each scene.THE PRISONERS11

Lost in details but not plot points, the cast of A-listers never actually gets to develop these absent-seeming characters. They say everything, pepper it all with profanities, and care little for the emotion of the audience. It goes 0-60 in intensity without allowing us a buy in. Hugh Jackman barely has time to pet a dog before the girls are missing and he is torturing the only witness, bringing Terrance Howard and Viola Davis along to…watch?

prisoners09Even television shows like Law and Order SVU and Criminal Minds that deal with this subject matter in re-run ad nauseam, allow for comic relief or the odd splash of color between commercials knowing that viewers need it.

Titles often have meaning. Perhaps each character is prisoner in some way to his own stubbornness or addiction or fear or need for control. Jackman’s character claims that he prides himself on being able to handle any situation. His own wife accuses him of failure since he had claimed he could protect them from anything. The confines of grey hues in this film look very much like a prison. Suddenly the theater felt enclosed, cold, four-walled, and I felt the need for escape.

Hugh Jackman was about to pummel a mentally challenged boy for information. Torture him. Wow. One child ruined to save another. I liked this cast too much to want to remember them like this.  I quickly clutch and brake, turn, and head for higher ground.Prisoners film still

ABOUT TIME (2013) movie review

ImageA conceptual Time Traveler’s Wife,  more Groundhog Day in its repetition, About Time is not the next Notting Hill.

It is a lightweight film about living without regrets. It has perhaps the sweetest voice-over opener I’ve seen with true moments of originality and grace, but the script and story, though not complete “rubbish,” was perhaps a bit “dodgy.” Like a run-on sentence without commas, too many scenes felt too drawn out and annoyingly slow, like a director’s cut.

Sex and the occasionally purposed “F-word” earned it the “R” rating. Both unnecessary and both stealing from what could have made this a keeper of a chick-flick.Image

Rachel McAdams herein only ever plays the sweet dimensionless rather every-woman role with very little personality. Passenger seated in this and many a film, she does allow her leading men to shine in the spotlight. She and Domhnall Gleeson have tangible chemistry.

Fans of Gleeson will no doubt flock. He is known best for his role in the Harry Potter series, but I loved him best for his sweet insecurity in Anna Karenina (2013), his sass in Never Let Me Go (2010), and his quirk in True Grit (2010).  In About Time, he is, as my British friends would say, “so lovely.” Truly, his face alone tells his story.

This film preaches carpe diem, seizing moments of life in the face of grief and powerlessness. We all rush about our days, forgetting to stop and take tea by the seaside, as his family does. Some sprites have the gift of making the mundane special. Even those who could go back and have “do-overs” find that it’s not about fixing the details, but in savoring them.

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BLUE LIKE JAZZ (2012) movie review


Blue-Like-Jazz-MovieIt’s a dry season in theaters, friends.

Netflix the oasis, I suppose, I found a title that jumped from the screen and I turned it on: Blue Like Jazz.

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Preface:
This book is close to my heart. Where some friends used Donald Miller‘s words, one man’s story, to justify smoking pot for Christ, for me it was at the time a breath of fresh air that threw open the closed doors of the church.

I wrote my first screenplay based on stories from that book. It was a tribute, a reckoning, an outlining, a recognition of story. His story. My story. They intermingled and I wrote it all down for the first time.

I found a piece of myself, not in his life but in writing.

I admit I turned this film on with some trepidation. My fear, I suppose, was that despite Miller’s own work on the screenplay, the beauty and art of his first work would be bullied into Hollywood submission.

It was worse than I suspected. Budget perhaps forced the indie feel, but the film collapsed in execution.  Characters, though well acted for the most part, became caricatures. The film should not have used the same title as the book as it was not an adaptation, but a tight angle focus on a piece of Miller’s Reed College experience. So much of it felt exaggerated, almost cartoon, especially in its representation of Christianity, more like an office episode than a purposeful glimpse into one man’s conversion story.

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Life is messy. Christians are expected to look perfect or the world must face the truth that no one is. If Christians need a Savior, all must.

Christian filmmaking, unfortunately a genre, has given itself a bad name for many years by promoting poor art.
I personally believe that Jesus performed miracles. And if He turned water into the best wine, his films would be phenomenal. Beauty, professionalism, story, art.

Miller is not oblivious to any of his film’s failings, I am sure. His recent book is an honest journey through the making of this film titled: A Million Miles in a Thousand Years: What I Learned While Editing My Life. In the book he says, “When something happens to you, you have two choices in how to deal with it. You can either get bitter, or get better.”
So despite my own despair after seeing this film, I had to take Miller’s advice and start writing again, more and better stories. And so did he. It seems our journey continues, together and separate, learning from our mistakes as all of humanity must.

“We live in a world where bad stories are told, stories that teach us life doesn’t mean anything and that humanity has no great purpose. It’s a good calling, then, to speak a better story. How brightly a better story shines. How easily the world looks to it in wonder. How grateful we are to hear these stories, and how happy it makes us to repeat them.”
– D. Millerimages-3

PERCY JACKSON Sea of Monsters (2013) movie review

Percy-Jackson-Sea-of-Monsters-Image-0111The script is smart. Logan Lerman is stellar. Certainly this film from kid-fic is kid-friendly, but like most cartoons today this one grins all teeth with proper myth, a well-written script, and likable characters.images

It’s a complete story, each character given an arch. It’s dangerous. It’s an Odyssian journey, (not to confuse the mythologies).

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It’s entertaining, and it boasts scenes with the two top fellows of film and tv: Stanley Tucci

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and Nathan Fillion. Deep love.
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