NOAH (2014) movie review

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You were imagining that the film would be better than the book? Never. If you went in with the expectation that it would be an accurate depiction of scripture, you didn’t do your homework. I knew when I read that Darren Aronofsky was writing / directing / producing that it would be a beautifully filmed, well acted, decent story in which I would at some point have to cover my eyes and scream “It’s too much!” And it was. And I did.

noah-noah-movie-review-2014Expectations are funny things. We are taught in school as young readers to make inferences and as young scientists to make hypotheses. So we do this in life. We expect things. And ironically, we expect for things to go well. Like Sinatra, we want things to go our way. We cannot possibly gage the next top hit song or recording artist, but we vote on American Idol. People want a voice in popular opinion, but we forget the industry behind big decisions. We forget the power of persuasion, marketing, and media. We forget that directors get a script and film it as they see it. If they also write it, they are interpreting and adapting the literature themselves.

noah-2014-movie-hd-wallpaper-1920x1080If you walk into Noah with the expectation that you will see the truth of scripture come alive on the big screen without human bias and interpretation, your expectations will be disappointed.
I told myself it would be about as biblically in tune as Inception.
I also read a load of reviews ahead of time. Perhaps I went in guns loaded to prove something and was pleasantly surprised at how professional filmmaking makes such a difference onscreen.
So I ask you to try something new… Be Pollyanna for a moment and look for the good.
Noah-2014-Movie-Image-2-1
Noah-2024-HD-screencapsI saw a gorgeous and accurate-to-scripture creation narrative. It did not leave God out. It did not excuse or dismiss sin. It did not try to explain it all. It simply showed the story.

actor-russell-crow-stars-as-the-title-character-in-the-film-noah-slated-for-a-march-28-2014-releaseThe actors in this film were brilliant and on A-game all. Not a moment of cheese in the portrayal, even when playing opposite rock creatures. Talk about changing expectations: when you see rock creatures right away, you set aside your expectations and recall that this had the same amount of biblical connectivity as The Lord of the Rings. The creatures weren’t horrible. They were a mix between Ents and the Rock Biter from The Neverending Story.

Emma-Watson-and-Douglas-Booth-in-Noah-2014-Movie-ImageSure, humanity, including Noah and his family, lived like cave men in a post-apocalyptic looking setting in which the real evil is meat-eating…sure. And yes, old people have magic. Also the ark (built mostly by RockBiters) looked more like a floating Costco.

Dead-Land-Noah-Movie-Screencaps-WallpaperAnd of course there is that odd side plot to get the boys wives when they were already married in the Biblical account. (So we don’t have to worry about Ham.) And there is that bit about how Noah believes that God wants to wipe out humanity so animals can live, therefore, Noah goes Gladiator and murders people trying to keep them off the ark. That made me sad, because that’s the coolest part of the story! In scripture, Noah preached and built for 120 years begging people to get on the ark and would have taken any who wanted to come. But they only mocked him, and then God closed the door.
noah-logan-lerman-russell-crowe-movie-hd-1920x1080And, there was also that post-flood account on the boat…Noah who didn’t hear from God and assumed that God wanted him to end the human race and kill his grandchildren… I screamed, as aforementioned, “It’s too much!” Ridiculous. Come on. That family survived the cataclysmic inundation of the world. Let them live.

Then again. I’ve never felt so kindred with Bible characters as I did watching this film. I call them characters, but they were people like you and me. People. With fears and loves and desires and anger and the capacity for both great evil and great mercy. And those on the ark lived through the tragic death of all of humanity.

Ray-Winstone-in-Noah-2014-Movie-ImageTubal-Cain gives a speech begging God to speak to him. He says he is like God. He believes God’s silence equals rejection. That feels too familiar. No matter what belief people hold to, they crave a higher power and blessing. They want to be chosen, spoken to. They seek externality. How beautiful it is to see that the Bible is called God’s Word, and in it, He promises never to destroy the world with a flood again. He also says He “so loved the world that He gave His only Son that whosoever believes in Him will not perish but have everlasting life.” (John 3:16).vlcsnap-2014-03-13-14h40m55s25

REQUIEM FOR A DREAM (2000) movie review

Infantile cravings, though innate, can overcome and potentially destroy if unrestrained by maturity and self-control. The hunger pangs of this film by Darren Aronofsky grow beyond craving to obsession. As with any drug, a lingering pleasure, a momentary satistfaction is reached. One exhales only to take in new air, new breath of disappointment in a high as yet again unfelt, unreached. Intake. In. Take. Take. Take. Take in.

Seizing. Seizing again. This film is a seizure-worthy kaleidoscoping journey through addiction and self-destruction.

Four stories intertwine, lifting and falling, hushed then screaming. They emote, but are guarded. They lie so constantly that they can’t decipher truth. Jared Leto, son front and center, dreams of a middle-to-upper class life and believes that selling drugs can get him there. It’s his get-rich-quick scheme. That’s all. His best friend can help him get there, as he’s well connected. His girlfriend, Jennifer Connolly, loves him dearly, but when push comes to shove, will offer her body in exchange for the drug she loves more. Leto’s mother, played by Ellen Burstyn , finds herself possessed with a vision of television fame, which claims her as she tries a simple prescription weight-loss drug to melt away the ever-present desire for food. She is always hungry, and her constant need to feed is quickly replaced with pills. If one works, more must work better. If one hit works, more must be better. Just try a little. But more is never better. Cravings replace longings and turn to obsession in each story. All four end as they came into the world: in fetal position clutching all that they have left and believing the lie that they are going to be okay.

If our lives are our personal requiems, we require many voices. The music crescendos with conflict and slows to harmonious tinkles when peace returns, if peace ever returns.

This film is one of dissonance and hunger. Death, the innevitable outcome. Methods in this case involve meth, heroine, loneliness, pride, and greed. See this film if you are ever tempted by drugs. You’ll hate the idea, the constant craving pains, the need on replay, the ache for more. This film exhausts, distresses. I can’t watch it again. I had to watch some of it in fast forward. No amount of love can replace the gutteral instinct to use. And this film makes drug use of every kind despicable with only one outcome: suffering. Beware: the journey is very real and disturbing. Violence, drug use, sex, nudity – all in the rating and possibly underplayed by the “R.”