
Visually stunning throwback to the Tron that my Great Uncle marveled at so many years ago. I didn’t get it as a kid, but today I’m grateful for the memory, for the fondness for which Tron was spoken then. It is beautiful.
The Science Center in Seattle houses an incredible experience – in what looks like an in-house death star, you walk around and below it in Star Tours fashion, claiming 3D goggles, a unique and total experience. It’s worth it, and it costs even less than the Imax experience offered at the local Regal. Beyond this, the movie itself was simple, chic, tasteful, and oh so 80’s. I’ll admit, however, that the animation of Clu’s face was far too Polar Express and that the Imax simply could not provide the clarity between shots that the non Imax 3D did. I’ll also admit, that as far as films go, I placed it very purposefully into the “forgettable” category. It’s one that I’ll promote as clean fun and made-for-the-big-screen 3D.


Category: Sci Fi
HEREAFTER…Damon (lead) Eastwood (Director) Spielberg & Marshall (Producers)…2011
A line of scripture, one that Clint Eastwood no doubt has perused in his day, reads, “…a cord of three strands is not easily broken.” In Eastwood’s recent offering, he slowly braids three threads of storyline, eventually intertwining them, hoping to create a strong and lasting hope in an eternity attainable. The opening sequence recreates the instant inundation of Thailand via tsunami. Tone settles like debris reminding me that when Eastwood nods to or foreshadows some tragedy or sadness, he delivers. He’s not a liar. Rather, his films tell the stark, raw, unapologetic truth. The sad mingles with hope, yet there is a familiar loneliness, a longing most can relate to. Matt Damon succeeds in this role, but even his performance wanes in comparison to the french woman of the film, Cecile De France. Matt Damon at least secures top billing as he makes all seven deliveries of the line, “It’s not a gift. It’s a curse,” feel almost believable and with an air of debonair.
Perhaps Eastwood, becoming what Shakespeare would call “much in years,” has begun pondering his own afterlife. Yes this film provides a thoughtful, researched line of questioning,but it’s slow pacing and neglected payoff provide too faint a glimmer to represent a perceivable light at the end of the tunnel.
