CHRISTOPHER ROBIN (2018) movie review

As it should be, the boy and bear unite to save their friends in this surprisingly sweet film starring Ewan McGregor as a grown up Christopher Robin.Director Mark Forster and famous voices, including the original voice of 1988 Disney classic Pooh Jim Cummings, bring the original pack of fluffy pals to life in scenes that look pleasantly more muppet than CG.Hook meets Paddington, as it takes a bear of “very little brain” and deep honey love to show a dad how to play and laugh and be silly once again.Sometimes we work too much and let the anxious world let us down, so we require a film like this one that reminds us of the sweetness of enjoying another’s company in doing nothing for a while. After all, doing nothing often leads to to best of somethings.

BEAUTY AND THE BEAST (2017) movie review

Mixed feelings about Disney’s newest live action adaptation of an original cartoon: masterpiece in scenic beauty and storytelling, but a beast of a chop job in sound and CGI.It’s iconically beautiful, scenes of my childhood unveil in perfect cake-topper symmetry. Emma Watson’s eyes sparkle as she sings through the little town. In her quiet pastel village, she’s the odd duck as the independent bookish type in bright blue. She’s a Hermione amongst so many muggles.

And the ancient story goes that her father offered to bring her a gift and she asked only for a single rose. I loved the incorporation of the original fairy tale. When he is captured, she sacrificially takes her father’s place as a prisoner at the enchanted castle where famous voices fill the gorgeous household items: Emma Thompson as Mrs. Potts, Sir Ian Mckellan as Cogsworth, Ewan McGregor as Lumiere, and sweet Stanley Tucci as Maestro the piano.

Gaston truly stole the show. He and LeFou, French for “the fool,” perfectly capture their cartoons and embody the enemy and comrade just back from the war now looking to settle down. Rumors regarding LeFou’s identity seem forced since he is more admirer side-kick than love interest.

The tragedy of auto tune is ever-present. Even as Belle makes her sweeping Julie Andrews run up the hill in her opening scene, she’s almost at the note when it magically jumps to the next one. Not since Wall-E has a Disney flick seen the need to bend each voice so electronically. Poor Emma seemed almost upset about it sometimes, almost as much as she seemed mostly happy during the Be Our Guest scene (in which she never eats) or the library scene – always almost excited. She was most certainly asked to play Belle almost expressionlessly, especially opposite the oddly shifting CGI-bodied Beast. Emma’s stalemate facials perhaps made the beast more lifelike until he became Matthew from Downton Abbey – a truly unexpected transformation.It’s absolutely worth the watch, worth the price of the ticket. It is not ruined in any way by the tension of tech vocals or animated Beast feet. These make for decent friendly post-film chat fodder while the magic of Disney pulses forward successfully turning cartoons into live-action remakes.

SALMON FISHING IN THE YEMEN (2012) movie review

Emily Blunt requires no introduction. She is a stand alone class act, so set her next to a seasoned professional the likes of Ewan McGregor and you see the execution of story on-screen in believable complexity. Every glance on camera becomes a moment, every scene a dive into vast depths of character. 
These actors allowed a slow and disconnected script its chance to soar a bit before sinking again beneath the depths of forgettability.

Faith was a major theme in the film. People of both faith and science found kindred community in the love of fishing.
Tolerance a token rebuke, this film preached peace through faith and forgiveness. Important truths, lovely sentiment, but lacking directive for faith in something or someone specifically. The sheikh pronounced faith in God, but otherwise mentored the broken individuals with a curious concept not a concrete one. I did love his character, though. Certainly, we want to be questioned, not preached at. But this vague religion is too much intermingled with politics to present a proper question worth pondering.  Perhaps the sheikh meant faith in fish. This film had the bird watching pace of Big Year and the propaganda elements to near Happy Feet levels. Perhaps it could be construed as an anti-government piece …red tape and all that.  This British film push ideas without structure, and unfortunately feels too deliberate and disorganized to be truly thoughtful.

I loved the song in the closing credits: “Where you go” by the young Romans band.