When given the challenge of reviving a generational classic, Greta Gerwig called upon her faithful, dramatic compatriots (Saoirse Ronan and Timothee Chalamet) and broadened her incredible team (Laura Dern, Meryl Streep, Florence Pugh, Emma Watson, Eliza Scanlen, Bob Odenkirk, Chris Cooper, and more) to reinvigorate Little Women as we’ve never seen it before. 
This film is a triumph in artistic vision and storytelling vigor. It’s a walk through the Musee d’Orsay; each scene is reminiscent of a famous painting. Each character is a Pinterest board of fresh takes and favorite moments from classic renditions of these films, all adaptations of the beloved novel by Louisa May Alcott.
But this is Gerwig’s finest chess move. She plants author’s DNA into the main character. Jo March is a strong, verbose, witty, lively heroine confined to the constraints of an era in which women were doomed to demure domesticity. She was a writer and a visionary. Like Alcott. Like Gerwig. So her characters investigate the struggles of home-life in a time of civil war, when money is king yet scarce, and when imagination and family bonding provide rare escape from discouragement. 
Loss determines destiny for most, but strength of spirit and courage of will allow the March women to rise above all.
Don’t miss this newly deemed classic. It’s pretty nearly perfect.
Oscar nominated Saoirse Ronan plays staunch, teary Eilis on her way to America. From glum to gadabout, she must choose to define home for herself. Both she and this film remain almost static: a pleasant and pensive thoughtful saunter to and from Ireland .
All of the brave souls who cross seas and continents to start afresh meet with root-shaking challenges and must choose which road truly leads home.
Splatter: on FILM 