I have to respect Peter Jackson no matter what. Doesn’t he basically employ New Zealand? Even if not, Aragorn is on the side of a plane, Tolkien is a household name, and 3-hour epics are no longer reserved for ancient greats like The Ten Commandments and Gone with the Wind. My family watches these together, and we have dubbed our family home “The Shire.”
Jackson did endeavor to make this epic unique by filming in 48 fps (frames per second), when most films are shot in 24. I suppose this was to send a constant reminder that this is not just another installment of LOTR. An hour into Hobbit Part 1 in 3-D, however, my brother asked if my eyes had adjusted yet. No. And I’m not certain that they ever quite did.
The 3-D and 48 fps somehow made this epic feel like a British sitcom. The perfection of every image was like watching HD ultra – super realistic, like Pixar fur. Hair and make-up was still flawless, of course, so Jackson’s attention to detail has not changed.
Everything moved quicker, except the storyline. Bilbo’s internal conflict is deciding if he is worthy of an adventure, or brave enough for one. His external is being accepted into the new fellowship of 14 – all dwarves but one and Gandalf, who is lovely as usual.
The main Dwarf Theron is played by an incredible actor, Richard Armitage, (seen recently in Captain America as the Hydra spy who shoots the professor and gets chased down by Cap).
Of course Hobbit had incredible special effects. It made me want to scour the books for details. I thought that the “riddles in the dark” sequence was perfect, making our Gollum truly pitiable. “Twas pity that stayed Bilbo’s hand.”
Still, I left wondering what was missing.
I think they forgot to help me fall in love. This episode lacked a dashing ranger from the North and kindly blonde elf, though two moments with Lee Pace almost cured me.
Audiences need to care deeply about characters, and dwarf mannerisms leave much to be desired. It felt like another Snow White cast at times, singing eating belching fighting dwarves who can’t help but put Bilbo and the elves down. Bilbo too seemed selfish and worrisome – hardly the pure-of-heart Frodo that I expected.
Don’t worry, Mr. Jackson: angry super fans haven’t turned on you like they did Lucas for making JarJar. My sisters still call themselves Hobbits, and they will go see it again and wait for the special featured extended edition to be released before they buy it. Who knows, people may even add the grotesque Goblin King to their figurine collections.
And, I’m afraid I’ll have to go along for all three films because It’s a worthy quest. I have always wanted to hunt a dragon.
A favorite blog preview on this film came from someone very close to me. Here is a poet’s take on the day of the Hobbit: http://anniemaeblog.wordpress.com/2012/12/12/twas-the-night-before-the-hobbit/
Sam Raimi directs James Franco well. Long lost are the hints of Franco’s Spring Break or his trips on the Pinapple Express. No, this is Franco the actor, Franco the deserving. He proves a multifaceted Disney-worthy come-clean heroic Wizard. I had little hope for him, or for this film, but both were a delight.
And Reacher is funny. Cruise is a hard-punching bruiser with touches of the comedian. Great timing. It made me appreciate even more his role in the action comedy 
Splatter: on FILM 